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Sunday Inspiration: Reading
We have an obligation to read aloud to our children. To read them things they enjoy. To read to them stories we are already tired of. To do the voices, to make it interesting, and not to stop reading to them just because they learn to read themselves.
—Neil Gaiman
Sunday Inspiration: Disagreements
Let me never fall into the vulgar mistake of dreaming that I am persecuted whenever I am contradicted.
—Ralph Waldo Emerson
Word of the Day: Farb
The word of the day comes from Atlas Obscura’s engaging article on Civil War reenactors:
To call someone a farb is to call them inaccurate, with an added layer of moral judgment: a farb’s gear is not just wrong, but wrong, a sin against history. It’s reenactor slang that dates back to the 1960s, the dawn of the modern reenactment era, when the Civil War centennial and the civil rights movement coincided to cause a surge of mainstream interest in a hobby previously dominated by small-scale “town history” celebrations and marksmanship drills. In the same way contemporary comic con attendees snipe about “real” fans versus “fake geeks,” reenactors who devoted a lot of attention to the accuracy of their historical “impressions” complained about those who didn’t—and still do.
Your quintessential farb might spend all weekend talking on a cell phone, or wear a jumble of mismatched “old timey” costume pieces from different decades. Bright-colored crocheted snoods—decorative female hairnets—are a reliable target of ire; more 1940s than 1860s, they’re nevertheless sold to entry-level reenactors by opportunistic merchants happy to take money from a newcomer looking for a quick “period hairstyle” solution.Farbs are an inevitable part of any large-scale reenactment, since perspectives on history—and what historical immersion means—are far from uniform. There’s natural tension between hobbyists who want to dress up and fire canons, then sit down for a beer with fellow nerds, and people who want to get as close to time travel as possible—who would rather not see anyone duck behind a tree with a can of insect repellant.
In Search of Yokai
The Fairytale Traveler is on the hunt for these diverse Japanese creatures:
Every culture has their own share of myths, stories, and legendary creatures. One particularly intriguing set of creatures, Yokai, originate in Japan and are monsters and spirits that have supernatural powers. The Japanese Yokai are known to range from simply mischievous to outright malicious, and some are even known to occasionally bring good fortune to those nearby. They can take the form of animals, humans, or even inhabit inanimate objects. I’ve rounded up some intriguing Japanese Yokai and the places in Japan where you might be able to find them.
Sunday Inspiration: An Open Mind
The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it.
—Terry Pratchett
In Praise of Mythology in Urban Fantasy
Leo Elijah Cristea weighs in:
Fantasy, of the epic and high variety, doesn’t much lend itself to mythology. Writers can craft beautiful, engaging mythologies for their made up worlds—I’m looking at you, Grandpa Tolkien, and you too, Mr Rothfuss—but there’s a distinct lack of familiarity that is lost. It just becomes part of the story. It’s not really mythology. To the characters, yes, but not to the ever hungry reader.
That’s where urban fantasy becomes a beautiful, magical thing, offering something that other subgenres of fantasy couldn’t possibly hold a candle to. Instead of reading about Tehlu and his angels, and the way the world was craft by this god or that god, we get to read about trolls under bridges, the fae courts, fallen angels, werewolves, vampires, Norse gods, the Almighty—the list goes on.
We get to read about magic we know, understand and believe. On some deep level inside most readers, you never stop believing. It doesn’t matter what in, but when you’re alone in the dark and there’s a tree groaning under the weight of its branches, or a chill across the back of your neck, if you have imagination to spare, you believe in monsters. You believe in Things. That’s why urban fantasy is so inherently good when done well, and when it draws on a veritable landfill of material.
What Is the Gospel?
Here is a “TED-style talk” by Michael Bird on recognizing the true gospel.
Sunday Inspiration: Magic
We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow path and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
—Robert R. McCammon
Do Ventriloquist Dummies Freak You Out?
Then you might not be surprised to learn they have a dark and scandalous past, as this post at Atlas Obscura reveals:
But ventriloquism is not a modern art—it dates back to at least the classical Greece, when it really freaked people out.
Back then, ventriloquists were called “engastrimyths”. Writes Steven Connor in his book Dumbstruck: A Cultural History of Ventriloquism, this was a mashup of “en in,gaster the stomach, and mythos word or speech.” Basically, people believed engastrimyths had demons in their stomachs who belched words from their host’s mouths. Engastrimyths plied their trade for entertainment (what could be more thrilling than demonic tummy talk?) and as divination. Pioneering ventriloquist Valentine Vox writes in his book I Can See Your Lips Moving: The History and Art of Ventriloquism that the art’s roots lie in necromancy—the ancient art of allowing a dead person’s spirit to enter the necromancer and speak to the living.
Sunday Inspiration: Gentleness
Only the weak are cruel. Gentleness can only be expected from the strong.
—Leo Buscaglia