Darrell J. Pursiful

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Ronald Hutton’s Typology of Faeries

In the video I mentioned in this post, Prof. Hutton provided a concise classification system for the faeries of northern Europe. It is but one part of a fascinating and expertly presented lecture, and I’m summarizing it here because it fits nicely (though not perfectly) with the way I developed the Fair Folk one meets in Children of Pride.  Hutton speaks of three basic categories of faeries in the British Isles:

1. Faeries proper, which Hutton describes as “the neighbors from hell.” These are the frightening and often malicious faeries one encounters in the oldest strands of faerie lore: the daoine sídhe and their cohorts. They live underground in a society that mirrors that of human beings, with courts, royalty (usually queens), banqueting, dancing, and the like.

2. Household helpers, including all manner of brownies, hobs, fenodyrees, and the like. These creatures are more mischievous than malicious, and they can sometimes be persuaded to help with the domestic and agricultural chores. But be careful, because they are easily offended and may just leave if one does something of which they don’t approve.

3. Faerie tricksters such as Robin Goodfellow. These are practical jokers, generally harmless or amusing rather than hostile. They are a rather late invention according to Hutton, largely under the influence of Shakespeare’s Puck. He is most assuredly not a pooka, which would better be understood as a dreaded “night being.” He further compares Robin Goodfellow to Native American trickster archetypes like Coyote as a trickster and buffoon, but also sometimes a powerful cosmic force. (Hutton does not use the specific terminology of “faery trickster,” but I think this is a fair description.)

He also notes a fourth category:

4. Nature spirits such as the pans and nymphs of Greek mythology. Properly speaking, Hutton says there are relatively few of these in the folklore of the British Isles. He further insists that these creatures are not, properly speaking, faeries at all since they fit into the natural realm in a way that traditional Anglo-Celtic faeries do not. Unlike faeries proper, beings of this type seem to be nearly universal in human cultures. Although Hutton insists such creatures are not faeries, he does say that the trolls or faeries of Iceland (and the related trows of the Orkney and Shetland Islands) are something of a hybrid between this category and the first. They are “land wights” who exercise guardianship over the land, but they are also said to live in underground communities and are often less than hospitable to human beings.

If you’re interested in the faery lore of the British Isles, you really owe it to yourself to listen to Prof. Hutton’s lecture.

D&D’s New Edition

I haven’t played Dungeons & Dragons since college, but it still has a special place in my heart. Here is a rundown of how the 5th edition, shortly to be released, stacks up against the 4th edition. To judge by this review, it sounds like a return to the kind of storytelling-based gameplay that first hooked me way back in 5th or 6th grade.

Optics and Elvish Eyesight

Of course, this video doesn’t take account of magical elvish eyes! Still, I’m more and more convinced that a basic grasp of science and mathematics is a valuable tool for fiction writing in any genre.

Bracketology for Story Plotting?

Well, I certainly didn’t expect this! But it just might work, if you’ve got the mindset to pull it off:

Brackets in sports are used to match up opponents, and then show how the winners from those matchups go on to compete in turn.

The simplest kind of story to use this pattern would involve different characters who were each out to kill the others, ruin them, best them in a competition, or otherwise force them out of the plot.

Little Folk and Zoning: Not Just in Iceland

From New England Folklore:

In September of 2012, a developer trying to build housing in Montville, Connecticut received some surprising news during a town hearing. They would need to alter their project because it threatened small stone structures that had been made by magical, dwarf-like creatures that lived underground.

Readers may be familiar with situations like this from Iceland, where construction projects are not allowed to harm the dwelling places of elves. But they are rare here in New England, where most people don’t believe in fairies, elves, and dwarves. (Bigfoot, ghosts, and UFOs are another story…)

However, magical little people are an ancient tradition among the Algonquian tribes that are native to this area, and the developer was planning to build 120 units of housing on Mohegan Hill, which is the historic and spiritual home of the sovereign Mohegan Tribe. Although the hill is not technically within the boundaries of the tribe’s reservation, it is still very important to them.

There follows an excellent introduction to the Makiawisug, the Fair Folk of the Algonquian traditions of New England.

500 New Fairy Tales Discovered

Please hurry, English translators!

A whole new world of magic animals, brave young princes and evil witches has come to light with the discovery of 500 new fairytales, which were locked away in an archive in Regensburg, Germany for over 150 years. The tales are part of a collection of myths, legends and fairytales, gathered by the local historian Franz Xaver von Schönwerth (1810–1886) in the Bavarian region of Oberpfalz at about the same time as the Grimm brothers were collecting the fairytales that have since charmed adults and children around the world.

Von Schönwerth spent decades asking country folk, labourers and servants about local habits, traditions, customs and history, and putting down on paper what had only been passed on by word of mouth. In 1885, Jacob Grimm said this about him: “Nowhere in the whole of Germany is anyone collecting [folklore] so accurately, thoroughly and with such a sensitive ear.” Grimm went so far as to tell King Maximilian II of Bavaria that the only person who could replace him in his and his brother’s work was Von Schönwerth.

Outlining till It Hurts

While I’m waiting for The Devil’s Due to come back from my beta readers, I’m trying not to jump ahead and start working on the things I’m fairly certain they’re going to tell me about where the story could use some work. But I am filing away this nice piece of advice from Charlie Jane Anders about getting rid of the extraneous verbiage and making one thing flows from another in a logical manner.

Are you ready? Here’s the surefire advice for cutting without hitting muscle or bone: outlining. Specifically, keep outlining until it hurts. Outline things you’ve already rewritten a ton. Outline backwards. Do micro-outlines of every scene that’s not working.

The magic of outlining something you’ve already written and rewritten is, you can see where the actual beats are, and get a rough sense of just how much space each of the beats needs to have. (Not that pacing is an exact science, of course. Quite the reverse.) Outlining and re-outlining lets you see where you might have jumped a groove or had someone behave illogically, and also where you’re repeating steps.

And outlining backwards is magic. Start with the end, and then put “because” after that, and keep going back. This happens because this happens, because that other thing happens, and so on, back to the beginning. If you can’t stick a “because” between two things that are supposedly causally linked, that’s a bad sign.

Harry Potter Rap

Just for fun. 🙂

Trinity Syndrome, or: What Was I Thinking, Writing a Female Protagonist??

Tasha Robinson laments the loss of many Strong Female Characters (a term she acknowledges is “more a marketing term than a meaningful goal”) to what she calls Trinity Syndrome:

For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.

I’ll be the first to admit I have a lot to learn about writing female characters—which is kind of sad, since Children of Pride and its coming sequel, The Devil’s Due, are chock-full of them! Readers can decide if I’ve written “strong” female characters. Following the checklist Tasha provided, I’m at least on the right track. At any rate, I’m at least fairly sure I’ve written interesting female (and male) characters: motivated, complex, fallible, and, on some level, familiar.

The concluding paragraph is an excellent diagnostic:

So maybe all the questions can boil down to this: Looking at a so-called Strong Female Character, would you—the writer, the director, the actor, the viewer—want to be her? Not want to prove you’re better than her, or to have her praise you or acknowledge your superiority. Action movies are all about wish-fulfillment. Does she fulfill any wishes for herself, rather than for other characters? When female characters are routinely “strong” enough to manage that, maybe they’ll make the “Strong Female Characters” term meaningful enough that it isn’t so often said sarcastically.

 

Christine Amsden’s Review of Maleficent

Thinking about going to see Maleficent? According to Christine Amsden, you should! At her blog Into the Dreaming, she has written a glowing review.

I don’t really want to spoil this movie for you. I did see bits of it coming, but I didn’t even mind because the delivery was excellent. The acting was strong, especially by Angelina Jolie (Maleficent). I cannot recommend this movie enough to adults and older children (not the young ones — I’m on the fence about letting my 6-year-old watch).