Darrell J. Pursiful

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Sunday Inspiration: Books

What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of magic.
—Carl Sagan

Ten Types of Teen Heroes

Ranked according to wish fulfillment by Charlie Jane Anders over at io9. (Some objectionable language).

10. The Tool of the Man

9. The Cute Sidekick

8. The Footloose Adventurer

7. The Young Detective, Spy, Inventor, etc.

6. The Disney Princess

5. Teenage Witch, Teen Wolf, Teen Vampire, etc.

4. The Misfit Outcast

3. The Hinge in the Paranormal Love Triangle

2. The Rebel

1. The Chosen Savior

Favorite Fantasy Tropes

Christine Amsden has listed her top 10 favorite fantasy tropes over at her blog, Into the Dreaming. It’s a great list that tracks fairly close with my own. If I were to offer my own list, it would be (in no particular order):

  • Action Survivors. I like a protagonist who is in over his or her head and somehow comes through even though vastly outgunned by the bad guys.
  • Guile Heroes. Related to the above, I love love love it when the protagonist finds a way to use trickery to get out of a scrape rather than hacking, slashing, or blasting. Show me a hero who can think on his or her feet and gain the upper hand just by being sneaky.
  • Shapeshifters. Face it, they’re just cool.
  • Snark. If your hero isn’t going to be completely bewildered by all the wild fantasy stuff that’s going on (in which case, he or she isn’t going to last long as a hero!), then go for snark. It seems to be the only attitude likely to get you through when the next eldritch abomination comes knocking on your door. If you can’t do snark, at least give me some kind of comic relief.
  • The Fair Folk. Seriously, have you looked around this web site?
  • Magic that Has Rules. I not too picky what the rules are, but I love it when magic has definite, coherent limitations. It makes one’s wizards far more approachable as characters and can help to avoid using magic as a deus ex machina.
  • Societies that Work. Not everybody can be a warrior or a wizard. Most folks are going to be farmers or butchers or accountants. I like seeing how this aspect of a fantasy world has been fleshed out.
  • Hat Tips to Folklore. I don’t care if you’re doing something radically new and different with your wizards / vampires / werewolves / elves / etc. Please show me that you know how these creatures or entities worked in relevant historical cultures. THEN take me on a ride that skews or reinterprets that body of folklore.

What are your favorite fantasy tropes?

Losing Yourself in a Book Suddenly Becomes a More Powerful Metaphor

Psychologists have taken a step closer to understand how and why readers come to identify emotionally with their favorite characters in a book. This subconscious phenomenon is called “experience-taking,” and an article in Medical Daily highlights recent researchers at Ohio State University  who have delved into how this process works.

Researchers said that experience-taking is different from perspective-taking, a process where individuals try to comprehend what another person is experiencing in a particular situation, without losing sight of their own identity.

“Experience-taking is much more immersive — you’ve replaced yourself with the other,” [co-author Lisa] Libby said in a statement.

The process is spontaneous and happens naturally under the right circumstances.

“Experience-taking can be very powerful because people don’t even realize it is happening to them. It is an unconscious process,” Libby said, adding that the phenomenon could have powerful, if not lasting, effects.

On Child-Proofing Harry Potter

In a word, don’t do it. Peter Damien explains why in a very thoughtful article at BookRiot, where he discusses the very experience I had several years ago reading Harry Potter to my then first/second grade daughter. I must confess, the thought never occurred to me to alter the details of the plot to make them more kid-friendly. What’s the point of reading a story if you’re going to change it?

The most I ever did is the same thing Peter confesses to doing: cleaning up the language every so slightly to tone down the “hells,” “damns,” and whatnot. My daughter is quite aware that people swear. She may even suspect that I swear when she’s not around. I prefer her to think that educated people can make themselves understood without recourse to vulgarity.

Anyway, Peter does an excellent job of highlighting this and other concerns so that parents can reflect on how to read material with their children that may just push their (the parent’s) comfort zones. And his bottom line is so blazingly obvious, it’s a shame he needed to say it: If you as a parent don’t feel comfortable reading something to your child, don’t. But there are benefits to reading stories like this “straight” (at the appropriate time):

My personal preference is, do read it, and do discuss it with your kids. You’re having a remarkable dialog which is itself a habit you want to continue for the rest of your lives. And there is a giddy high you’ll get when you go to discuss the book with your kids and they just get it. They get the plot, the people, they’re building theories. I’ve been tweeting with excitement my oldest son’s attempt to puzzle out the Harry Potter plots along the way, because it’s amazing and fun to watch his mind work, logically figuring things out.

I’ll suggest something else. Reading an early version of Children of Pride with my daughter, I later heard her comment about a particular detail of how my imagined faery world worked that I knew would resonate with things she was going through at the time. I realized that I had managed to give her a little bit of vocabulary with which to talk about things she was feeling. Looking back, I can see how Harry Potter, Percy Jackson, and other fantasy heroes (not to mention their respective villains, sidekicks, and mentors) have also broadened her ability to name and thus to some extent control or at least endure the challenges she faces.

Finally, if I might say so, J. K. Rowling has already done a masterful job of “child-proofing” her own stories. Ron’s language, for example, doesn’t even become an issue until the later books. Themes associated with dating and romance are handled with considerable tenderness and reserve. In my opinion, children who are perhaps a bit younger than Harry and his friends are in any given book should have no problems dealing with what they encounter there.