Sunday Inspiration: To Live
To live is the rarest thing in the world. Most people just exist.
—Oscar Wilde
Thank you, Therese J. Davis
…for your kind review on Goodreads of Shadow of the King—especially that intriguing note at the end!
I got drawn in immediately. Rune is totally relatable. He takes you on a really harrowing journey that keeps you fully entry. I had a hard time putting it down and when I got to the end I wasn’t ready for it to end. Of course I had to verify where Colonel Sanders is buried!
Sunday Inspiration: Appreciation
I believe that appreciation is a holy thing—that when we look for what’s best in a person we happen to be with at the moment, we’re doing what God does all the time. So in loving and appreciating our neighbor, we’re participating in something sacred.
—Fred Rogers
“The Next Great Fantasy Series!”???
Thank you, Steven A. Guglich, for your amazing review of Shadow of the King. I’m a bit stunned.
Darrell writes in such a way that he sucks the reader in. The prose is fresh and fun. The characters are likeable and worthy. Rune, the main character, is especially appealing because he is filled with such wonder for the world that we take for granted, yet he has this edgy angst about him that makes you want to jump into the pages and help the down on his luck elf.
The story, though it takes place in the modern world, is very original. Darrell takes familiar tropes, myths, and legends, and turns them on their heads, offering a fresh and fun perspective on childhood tales.
Is Steven over-selling? YOU DECIDE.
Shadow of the King: First Page
Rune hefted the satchel that held everything he owned and one thing he didn’t. Sweat trickled down the back of his neck.
It wasn’t only the early-autumn heat. The stench of grime and rust and smoke combined into a noxious haze. The screeches and bellows of motorized carriages wheedled their way into the back of Rune’s brain. His whole head throbbed.
He stopped for a second on the residential sidewalk to settle his breathing. Settle down, he told himself. But he couldn’t help looking over his shoulder one more time, just in case.
He took a breath, then stopped short in a fit of coughing. This world smelled wrong. Maybe he’d get used to it. Hopefully soon.
Rune forced himself to relax and tried again. His lungs expanded, and he savored every bit of air as it entered his body. And along with revitalizing oxygen came the airy chaos, the elemental engine of creation that was as much a part of Rune as his bones and his blood. It pulsed through him and swirled around him, and with the slightest effort of will, Rune let it clear his mind and expand his senses.
It only took a moment, but everything was suddenly sharper, more coherent. To his relief, his heightened senses brought no sign of pursuit: no skulking shadows, no furtive footsteps, no flash of knives in the falling night.
The sun finally set, and darkness cooled the air. It was a clear night, but where were the stars? The garish lights of every storefront window had driven them away.
He had lost track of time. He was tired, hungry, and cold.
At least he had finally shed the last of his scales.
All he could do was press on…
* * *
Want to read more? I can help you with that.
Shadow of the King: Q&A
How long did it take to write Shadow of the King?
Way too long! I first got the idea of Shadow of the King when my daughter was in high school, though best I can remember she had already graduated before I started working on it in earnest.
A quick look at my laptop informs me I created the Scrivener file for the book in September of 2019. The first chapter went through some truly awful iterations before I landed on something I was happy with, and there were definitely some plot points early on that needed not to happen. Then, of course, COVID hit. Which I think means that was about eighteen years ago.
Fortunately, book two, Dead of Night, went significantly faster. I’ve gotten it back from my editor and look forward to diving into her suggestions. And I’m a bit over 20,000 words into writing the conclusion, Twilight of Avalon.
What’s next for Rune?
Rune’s arc is all about finding a place where he belongs, and the obstacles he must face to find it. In the first book, those obstacles come in the form of entanglements with the magical realm from which he came. In the second book, he’ll contend with supernatural threats native to his new, ostensibly mundane, realm. Finally, the third book will pit factions of both worlds against each other, and Rune is going to have to make some hard choices. His loyalties will be tested, and the lines between allies and enemies might even get a little blurry.
All in all, I’m very happy with how the story is progressing. My editor thinks book 2 might be better than book 1, and that’s something every writer loves to hear! I hope you’ll stick around for the whole ride.
It’s Here! It’s Here!
Shadow of the King is now live!
If you’re looking for fun, smart, and uplifting fantasy fiction, I’d be honored if you’d give it a try. You can buy your paperback or ebook version HERE.
The shadow has fallen!
Sunday Inspiration: Grief
I have decided that the only way to live is to embrace grief. For grief only exists where love lived first.
—Franchesca Cox
Shadow of the King: Building a World (Languages)
I know enough about linguistics to know that time devoted to building a constructed language is time I might better spend on other, more satisfying aspects of worldbuilding…or, you know, writing.
But people, places, and things need names, and I have a strong preference for those names sounding like they fit. So I usually end up doing at least a little bit of work fleshing out the languages my characters speak. Call me a reluctant conlanger.
In Shadow of the King, some of the conceits of my premise shaped the direction my languages took. For one thing, the contours of my protagonist’s Otherworld home arose from the myths and legends of real-world cultures. And those real-world cultures had languages from which to draw.
But not only is Rune’s world inspired by real-world cultures, the world itself is a close analog to our own. It is an alternate earth where magic is real and humans share the world with elves, merfolk, water panthers, and other fantastical creatures. You can think of Saynim as our world but in a different key. The continents and landmasses are similar—a mountain might be taller or shorter, a river might run a few miles to the east or to the west of where it would be on our maps, but everything is mostly where readers would expect to find it.
In this world, European settlement began quite a bit earlier than in ours but proceeded more slowly and, for the most part, more peaceably. The mound-building cultures of the Lower Mississippi remained intact, and the “Five Civilized Tribes” of the Southeast continue their traditional ways of life. Though there has been much warfare and conquest, the newcomers from the east (“Easterlings”) have largely been forced to live alongside the Indigenous population as equals, and largely only east of the Mother of Rivers (i.e., the Mississippi) and north of the Southern Lowlands (i.e., the Deep South).
In Rune’s part of the world, there are three important languages.
Miskoese, Rune’s native language, is Germanic. It is mainly Scandinavian but with a fair bit of Old English influence as well as a fair number of loanwords not only from Gaelic but from Algonquian and Iroquoian languages. The word Miskoese itself comes from the Ojibwe word misko’o, “he wears red,” a reference to the “Redcloaks,” the earliest Easterling settlers.
Teilic is derived from Medieval Welsh with loanwords from the Indigenous languages of the lower Mississippi, mainly Choctaw.
Aavish, commonly called Trade Jargon, is an English creole with borrowings from a host of languages both European and Indigenous. Of all the languages of this part of Saynim, Aavish is so far the only one to appear in print.
All this, plus some cursory investigations into personal names in a few of the Indigenous languages of the region, helped me name people and things in ways that fit the setting without stressing overmuch about, say, noun declensions and subject-verb agreement. Which is good, because I’d still be writing the book if I’d stopped to do that!
The shadow falls on October 1.
Sunday Inspiration: Justice Is Not Enough
Peace is a product of justice, but justice is not enough. Love is necessary. The love that makes us feel that we are family is properly what makes true peace.
—Saint Óscar Romero
