Shadow of the King: Building a Protagonist (Part 3)
Morty pushed his empty bowl of stew to the side. He leaned in, all business.
“I know some folks who might can hire you,” he said. “Nothing permanent, you understand, at least not right now. But there’s always somebody from the old neighborhood who could use a hand.”
“Thank you,” Rune said.
“Don’t go thanking me,” Morty said. “I hook you up with the right people, maybe you can do a favor for me down the line.”
“Of course.” The honor game had rules, even on this side of the Mere. Give, and receive in return. Keep the favors flowing. A hasty “thank you” might imply a one-time transaction, but this Morty obviously had his eye on the long term.
“You got skills. You told me a little about that, being trained with—” He looked around. Everyone was listening to the musicians, but he lowered his voice anyway. “With them people…and all.”
“The Haw wasn’t a bad place,” Rune said, a little defensive. “Intense, but not all bad. Whisper seemed happy to have me around.”
“Whisper,” Morty said. “He’s the one that runs the joint?”
“That’s right. He said he’d always wanted to see what I had it in me to do. He’s the one who really taught me magic. Of course, my mother and stepfather started me out when I was young. But it was Whisper who pushed me to show what I could do.”
“I expect you can do quite a bit.”
“I try to be resourceful. Think on my feet. Having the biggest sword doesn’t matter much if you don’t know how to use it. And it helps to have the right people behind you.”
“Did you? Have the right people?”
“It was a good team,” Rune said. “Even if they weren’t always doing good things.”
“I aint’ here to judge,” Morty said. “Folks don’t get a say in the cards the Good Earth deals ‘em.”
Rune just nodded. He was coming to like this Morty Grindle.
“Any of ‘em you’d call friends?”
“One. Goodfellow. Avice was the team leader. She tried to make things hard for me. She succeeded in making things hard for me. But Goodfellow always took my part.”
“Most have been hard to stand up to her, being the team leader and all.”
“Goodfellow’s family was as well-placed as mine. It limited what Avice could do to him…openly. And, to give him credit, he was fierce in a fight. You didn’t want to cross him if you could help it. But being my friend cost him at least one relationship—another Nightwalker he’d taken a fancy to. I suppose I’ll always owe him for fouling that up for him.”
“D’you think you’ll ever see him again?”
“I don’t think that would be a good idea.”
“But suppose you did. What would you tell him?”
Rune stopped to think a minute. “I’d say thank you. I’d tell him… he taught me a lot—about loyalty and perseverance and…compassion, I suppose you’d say.”
“He sounds like a real friend.”
“He is,” Rune said. He swallowed. He looked down and pushed his own half-eaten bowl of stew to the side. “He was.”
Sunday Inspiration: Worthy
Our job is to love others without stopping to inquire whether or not they are worthy. That is not our business and, in fact, it is nobody’s business. What we are asked to do is to love, and this love itself will render both ourselves and our neighbors worthy.
—Thomas Merton
Shadow of the King: Building a World (More Ingredients)
(Last time, I shared a little about the world from which my protagonist came. Here are a couple of thoughts about the world to which he goes.)
5. Louisville, Kentucky. A few months back, I came across a new story where Louisville was voted the most ordinary city in America. So obviously, setting a contemporary fantasy story there meets a clear need! I went to graduate school in Louisville. I met my wife there. I have many fond memories of the city. But yeah, if you’re not a big fan of bourbon or horse racing, it’s pretty ordinary.
And yet, there is potential here. Geographically and culturally, Louisville is in the middle of everything, with the Midwest to the north, the Upland South to the south, the Appalachian Mountains to the east, and the Mississippi River to the west. It’s a macro-scale version of the sort of crossroads where you might expect a shadowy figure to offer to make you a deal.
And oddly enough, Louisville is apparently at the midpoint of an important ley line between Yellowstone National Park and Bermuda. So maybe it’s appropriate for it to be some kind of nexus of mystical energy, if only people were attentive enough to see it….
6. Religion. When the literal forces of creation course through your mind and body and you can bend them to your will, concepts of Ultimate Reality and the true nature of things are bound to get a little problematic. Rune’s people don’t have “religion” as most Westerners understand the term. This is my nod to the mythology that says the Fair Folk are averse to human religions. Some despise or denigrate them; most just don’t understand them.
So of course, I made Rune’s landlord in the mortal realm a preacher.
The shadow falls on October 1
Shadow of the King: Building a Protagonist (Part 2)
Rune’s contact seemed unimpressive: short and apparently uncomfortable in his ill-fitting clothing—an outfit meant for a human form, though this Morty Grindle was anything but. Some might take his heavy brow and broad back as evidence of limited intelligence, but Rune saw the glint in his eye.
The waymaker said he needed to meet this man. If he wanted to get along in this new world, he’d need contacts, and Morty Grindle had the reputation of knowing just about everybody.
“You settled in, then?” he said. He swallowed a bite of stew. On the other side of the room, a band played “Creep” by Radiohead on tin whistle and hurdy-gurdy.
Rune just shrugged.
“It takes a while,” Morty continued. “The Fallow ain’t like home, but it ain’t bad. Have you tried ice cream yet?”
“Just last week,” Rune said. “My landlord’s daughter calls it ‘comfort food.’”
“That ain’t far wrong. You got a favorite flavor?”
“So far I’ve only tried strawberry. It was quite good.” Rune took a sip of his yaupon tea, grateful that Gamaufry Tavern had at least some of the pleasures of home. “I’ve always loved strawberries. My mother kept a strawberry patch. Or I should say, the servants did, out behind the carriage house. I used to sneak away to visit them. Clervie fed me strawberries.”
“You won’t have no problem finding strawberries around here in the summer. Servants…that’s another thing.”
“I understand. Fallow folk have machines to do their work. Servants are…out of fashion, I suppose.”
“Yeah, that’s a nice way of saying it. But I could tell from looking at you you’d come from a house with servants.”
“We had three cabins full,” Rune said. “Clervie and Malunthy and their children. And then there were Dollick and Caelia who looked after the grounds and gardens. And then when Caelia was expecting their first baby, Mother brought on Quamp and Cabma to help them.”
“And you got with them all? ‘Cause I gotta warn you, folks in the Fallow will judge you if you start acting like you’re better than other people.”
Rune paused. Things had changed, and quite abruptly, when he took leave of the King of Shadows. Back home, he’d now be considered an outlaw. Clervie and the rest were now his betters, at least by Saynim’s strict code of honor.
“Just fine,” he said. “Maybe too good.”
Morty sat there, waiting for him to say more.
“I was young. I didn’t understand that the son of Herdis of the house of Claea wasn’t supposed to rub elbows with the help. Let’s just say strawberries were a rare treat.”
“A little rebel, huh?” Morty chuckled. “I hope hanging out with the help didn’t get you in no trouble.”
“Not…directly.”
“Not directly?”
Rune sighed. “Clervie and Malunthy’s youngest was about my age. Jussie. We would play together in the vineyards. Somehow Mother got it into her head that… I mean, it’s ridiculous. We were only thirteen years old.”
“She thought there might be something developing between you two?”
He nodded. “She turned her into a fawn.”
Morty’s mouth dropped open.
Rune stared at his stew. His face warmed.
“I’m sorry. You mean she just…”
“You heard what I said.” Rune took another sip of tea and collected his thoughts. “She kept her that way for a week. Her parents were beside themselves. When Mother finally turned her back, she told me I should be grateful she didn’t do worse”
Morty took a long drink of his beer. “That’s…something.”
“That’s my mother.”
Sunday Inspiration: Wonder and Silence
It seems to me that some of us value information over wonder, and noise over silence. And I feel that we need a lot more wonder and a lot more silence in our lives.
—Fred Rogers
Shadow of the King: Building a Protagonist
“Is this a bad time?” Zoey said.
“Not at all.” Rune took a step back and welcomed his landlord’s daughter into his mother-in-law apartment. She had a stack of linens in her arms.
“Mom thought you could use these.” She handed over the linens and pushed her spectacles up to the bridge of her nose. “Said you’d probably prefer plain white bedding to the yellow flowers. Those were my Grandma’s. We just never bothered to change ‘em out.”
“Either are fine,” Rune said. “Thank you.”
“So, I guess you’re staying here a little longer?” Her voice was bright, hopeful.
“One step at a time,” he said. “I’m seeing somebody tomorrow about a job. Someone from…back home, I suppose you’d say.” Zoey was the only living soul who knew that Rune wasn’t from here, that technically speaking he wasn’t exactly human. So far, she had adjusted to that news surprisingly well.
“A friend of yours?”
“We’ve never met, but I’m told he’s well connected. If the wind blows right, I’ll be able to pay this month’s rent. After that, who knows?”
“Well, you know you’re welcome to stay as long as you want, right?” She bit her lip. Her eyes never left his face.
“Is something wrong?”
“Huh? No.” Zoey’s face warmed. “It’s just…funny how the wind seems to blow through your hair. I mean. Here. Inside, where there isn’t any wind.”
“I hadn’t noticed.” He pulled his ponytail tighter through the leather barette that held his hair in place. “Please thank your mother for the bedding.”
“Sure thing.” She didn’t turn to go. “Are you…okay, then? Anything else you need?”
Rune sighed. He was on the run, low on supplies, and in possession of stolen property that could get him killed. He still had a half-healed stab wound in his side and a phantom pressure on his throat from where his cloak had tried to kill him. What didn’t he need? “I’ll be fine.”
“Is there anything you miss? Something to make this place a little more like home?”
He clenched his jaw. “I don’t suppose you could do anything about the stars?”
“The stars?”
“Back home, the night sky was filled with them. Thousands of them. Here, you can only see a few dozen.”
“I see.”
Rune wasn’t sure she did. “The stars… It’s hard to explain. They’re constant. Ancient. Inscrutable.”
“It sounds like you’re talking about living things.”
“Maybe I am. They’re connected to everything else in the universe, products of the same elemental forces that surge within all of us. They may not possess life or intelligence, but they reflect it.”
“I never thought of it like that.”
“It may be something your people lack,” Rune said. He noted Zoey’s frown and continued, “No offense. Maybe it’s because you don’t have magic, but you don’t seem to be aware of all the life and energy around you. Do you even know what phase the moon is in tonight?”
“Uh…”
“In Saynim, everybody knows. It’s the little things. We feel the pulse of elemental chaos. Maybe that makes us more attentive. When I look up at the stars, the moon, it reminds me that I’m part of something bigger than myself.”
He lay the bedding on the arm of the sofa in his small sitting room. “I’m sorry. I should have offered you a seat. Would you like something to drink? I have…water.”
“It’s okay.” Zoey took a seat on the sofa.
“I’m not a fit host, I’m afraid. Back home, we had servants to…” He trailed off when he saw Zoey’s confused and suddenly withdrawn expression. “Well, anyway…” He found a plastic tumbler in the cabinet of his tiny kitchen, dropped in a couple of ice cubes from the refrigerator, and poured it full from the tap in the sink.
“Thanks,” Zoey said when he offered her the drink. She took a sip. Rune sat down on the other end of the sofa.
“Rune? What do you see when you look at the night sky?”
He thought for a second. “Beauty,” he said. To his own surprise, his voice cracked a little. “Stillness. Rest.”
“Seems like your life hasn’t had much stillness or rest lately.”
He sighed. “And that’s why I miss the stars.”
* * *
The shadow falls October 1.
Sunday Inspiration: Speaking of Peace
Before you speak of peace, you must first have it in your heart.
—Saint Francis of Assisi
Shadow of the King: Building a World (Ingredients)
In no particular order, here are the building blocks from which my story world is constructed.
1. Paraclesus. Published posthumously in 1566, Paracelsus’s De nymphis, sylvanis, pygmaeis, salamandris et gigantibus, etc. (“On Nymphs, Sylphs, Pygmies, Salamanders, and Giants, etc.”) explained mythological creatures in terms of the latest scientific and philosophical speculations.
Yes, I know that Paracelsus made a lot of stuff up, and a lot of the rest he imported from Classical mythology whether it fit or not. I know that he tried to shoehorn a lot of folklore into an airtight system where it really didn’t fit. But from 30,000 feet, I simply note that he tried to link these otherworldly beings to the four classical elements: nymphs with water, sylphs with air, etc. And since I was already building a magic system around the classical elements, offering a nod to Paracelcus was a no-brainer.
One other thing thing: Paracelsus apparently coined the word sagani to describe these beings collectively, though I have not yet found a convincing etymology. I suspect it is related to “sage” in the sense of “wise” or “skillful.” At any rate, this curious word gave me Saynim as the name of my protagonist’s magical homeland, analogous to how pagani (“pagans”) and paganismus (“paganism”) gave us the archaic English word Paynim (“pagandom”).
2. Renaissance magic. Paracelsus led me to other philosophers, alchemists, and arcanists of the same approximate era: Johannes Trithemius, Heinrich Cornelius Agrippa, John Dee, etc. These thinkers straddled the line between “science” and “magic” as we usually understand those terms. This was, after all, the time when “chemistry” and “alchemy” had only begun to diverge. Trithemius and the rest drew from arcane traditions that can be traced through the Middle Ages and all the way to ancient Egypt.
While most magic in my story world is an innate property of creatures attuned to one of the classical elements, humans in the mundane world might tap into these arcane magical traditions.
3. Elizabethan fairy lore. In the British Isles, the last decades of the sixteenth century represent a high point in theorizing about the fairy folk. This was the era of Spenser’s The Faerie Queene, Shakespeare’s “A Midsummer Night’s Dream,” and King James VI of Scotland’s Daemonologie, where he argued that elves and fairies were in fact evil spirits. In general, the Fair Folk were still a real and terrifying figures in the imaginations of the country folk, though more so-called enlightened Londoners were increasingly skeptical.
4. Hominin evolution. Fifty thousand to 100,000 years ago, planet earth was a Tolkienesque landscape populated by several related human species interacting with each other in friendly or not so friendly ways. Just as Tolkien and most epic fantasy that followed him describes interactions among elves, dwarves, orcs, and the rest, Homo sapiens, Neanderthals, Denisovans, Homo floresiensis, and probably others once coexisted in our own world.
To me, this fact is the perfect setup for explaining the various fantasy “races” (as much as I despise that term) in a quasi-scientific way.
The shadow falls on October 1
Sunday Inspiration: Empathy
Whenever I see someone with an abundance of empathy I want to ask what heartbreak they have endured, for compassion is often birthed in the valley of despair.
—Zoe Clark-Coates
Shadow of the King: Q&A
What is Shadow of the King about?
A defector from Faeryland is building a new life for himself until his past catches up with him.
Is Shadow of the King a book with kissing?
Not really.
In early English folklore, elves were understood to be sexually transgressive beings. The stereotype of elves as effeminate pretty boys goes back at least 1,000 years! So if you look closely, you might see indications of activities that may or may not comport to traditional sexual mores.
But that’s not what Shadow of the King is about. Those are not my stories to tell.
My protagonist, Rune, is more or less comfortable somewhere on the asexual spectrum. We’ll see what develops for him in the next two books.
Is Shadow of the King a book with cussing?
A little bit. Maybe about the same level as a PG-13 movie. The one character who is truly a potty mouth tends to use insults and swear words more at home in a fantasy setting than the real world. And let me tell you, doing the research for that was quite educational! I almost want to include a glossary in the back so people can be authentically offended.
If you’re put off by strong language of any kind, you might wince a little bit every now and then, but what the hell? You only live once.
Is Shadow of the King isekai?
How much of a purist are you?
Shadow of the King definitely involves a protagonist from a fantastical realm being dropped in the mundane world, so by the most generous of definitions, you might think of it as “reverse isekai.”
But as I understand it, the story doesn’t play (much) with other expected tropes of the genre. Rune wasn’t involuntarily dropped in his new world, and in theory he can go home whenever he wants. It’s just that going home would be…unadvisable due to a strained relationship with certain factions of unearthly power who live there.
Nor is Rune the recipient of a “harem” of potential love interests. The very idea would terrify him! And though he has *accidentally* become a pivotal person in the history of the world he has left behind, he certainly doesn’t see himself as a “chosen one”—and neither do I.
Some isekai transition the hero to the other world by means of death and reincarnation, often after being run over by a truck. In the first chapter of Shadow of the King, Rune’s first major experience in his new world is getting hit by a car. If you want to think of that as a subtle nod to the genre, I’m not going to stop you.
Is Shadow of the King flintlock fantasy?
No, but you can see it from there.
Flintlock fantasy is a relatively new subgenre. I understand it, it doesn’t simply mean that flintlock firearms exist in a setting that also includes magic; it also nods to the kinds of social and technological upheavals that took place on earth around the year 1800. It also involves large military actions: massive armies and brilliant generals. It gives vibes of Europe in the age of Napoleon.
Rune comes from a world where the overall technological level is AD 1700, give or take. Bayonets have only recently replaced pikes in infantry formations. Flintlock pistols and muskets are fairly common, but industrialization and social foment are not. Saynim is less Napoleon and more Natty Bumppo or Daniel Boone in that regard.
Still, it is a world that has found ways to blend magic and black powder, where devastating spells and curses can be delivered on balls of lead.
It’s an interesting world, but a dangerous one.
Do you have any other questions? Ask them in the comments, and I’ll answer them in a second installment.
The shadow falls on October 1.
