Darrell J. Pursiful

Something You Can Do for Liberia’s Ebola Crisis

Care for One Hundred is a response to the Ebola virus outbreak in West Africa, especially Liberia. On August 13, 2014, the World Health Organization identified Liberia as the new epicenter of the crisis. That means that Liberia is the nation where the most new cases of Ebola are showing up.

Given the depressed Liberian economy, most Liberians subsist on one meal a day. We have calculated that for less than $0.35 a day we can provide one good meal of rice and beans. Provisions also will include oil and seasoning. For $1,000 USD we can Care for One Hundred for one month.

Something You Can Do for Liberia’s Ebola Crisis

Care for One Hundred is a response to the Ebola virus outbreak in West Africa, especially Liberia. On August 13, 2014, the World Health Organization identified Liberia as the new epicenter of the crisis. That means that Liberia is the nation where the most new cases of Ebola are showing up.

Given the depressed Liberian economy, most Liberians subsist on one meal a day. We have calculated that for less than $0.35 a day we can provide one good meal of rice and beans. Provisions also will include oil and seasoning. For $1,000 USD we can Care for One Hundred for one month.

A United Nations of Tooth Fairies

“Never let one of Our Kind anywhere near your teeth!”
—Danny Underhill, Children of Pride

Nevertheless, here are seven tooth-fairy traditions from around the world courtesy of the good folks at Mental Floss.

There are actually two nods to tooth-fairy legends in Children of Pride, but one of them goes by so fast you’d probably miss it.

An Elf by Any Other Name

In the world of Into the Wonder, “faery” is not always considered a politically correct word. It is thought too forward or aggressive, and therefore it is considered better to use euphemisms like “the Fair Folk.” Another option available to those in the know is to refer to various eldritch beings by their specific faery “species” or kindred: pooka, duine sídhe, etc.

Something similar happened in Iceland with respect to the ancient Norse álfar or “elves.” So as not to appear disrespectful, Icelanders began referring to these supernatural creatures with the euphemism huldufólk, “the hidden people.”

You Keep Using That Word…

Elves will make their formal appearance in The Devil’s Due, the second installment of Into the Wonder. Though I like the idea of people avoiding the word “elf” as (at least mildly) offensive, huldufólk doesn’t really work for my purposes as an appropriate alternative. “My” elves come mainly from England, not Scandinavia. So I’ve been working on a short list of euphemisms to refer to these creatures that come from the same Old English context from which I’ve derived the creatures themselves.

I have been surprised to see how little evidence there actually is for likely terms. Almost all of what follows comes from a doctoral dissertation that I have found extremely helpful in imagining how elves were perceived in Anglo-Saxon culture: Alaric Hall’s “The Meanings of Elf and Elves in Medieval England,” Ph.D. dissertation, University of Glasgow, 2004 (PDF). (There is also a brief summary page with PDFs of individual chapters.)

Here, then, are some of the options I’ve discovered.

Terms Describing Grendel

In Beowulf, the monster Grendel is depicted as a cousin of numerous dangerous supernatural beings including giants, ogres…and elves. According to the author of Beowulf, all of these are descendants of the biblical Cain. Some of the terms used to describe Grendel might work as a description of his supposed kinfolk, the elves. (I should perhaps note that the elves of Anglo-Saxon England were a fair bit more sinister than the elves Tolkien described in The Lord of the Rings. If Tolkien had drawn his elves from England rather than the Vikings, they’d have been fighting alongside the orcs and trolls. Or, more likely, calling the shots behind the scenes.)

  • maercstapa, “creeper/stalker in the marches” (103). When Grendel first appears by name, he is called a “border-stalker.”
  • Caines cyn, “kin of Cain” (107). This term might work except that, in context, it can refer to a number of monstrous beings, only one of which is elfkind. Also, it calls for a particular theological interpretation of elf-kind that I’m not sure all elves would buy into.
  • ellengaést, “powerful/bold spirit” (86). This term has great promise, I think. The meaning is obviously something the elves would take as a compliment, and it even sounds right.
  • ellorgást, “alien, alien spirit” (807). Might work for the sort of thing humans would call elves, but I don’t see elves calling themselves “aliens.”
  • sceadugenga, “shadow-walker/wanderer” (703). Probably the coolest option.

Terms Describing Elves Proper

All of the above terms have potential, but none of them apply strictly to elves. Let’s see what happens when we look specifically for roundabout ways of talking about elves as such. Unfortunately, there are no Old English narratives that feature elves. There are, however, a number of medical texts that give treatments for the various afflictions for which elves might be responsible. A couple of these describe elves in roundabout ways that might serve as a general euphemism for “elf.”

  • nihtgenga, “night-walker/wanderer.” The text Wið aelfcynne (“For Elf-kin”) gives us this term, which ranks with “shadow-walker” on the coolness scale.
  • hy, “they.” The first half of another medical text, Wið færstice (“For a Sudden Stitch”), uses a number of roundabout terms for dangerous spiritual beings before naming them explicitly in the second half. In lines 1, 2, and 7, these threatening powers are simply called “they.” I can see humans hesitate to name elves at all, and simply calling them “they” or “them.” Such a practice has parallels with Manx expressions such as “themselves” and “them what’s in it.”
  • smiðas, “smiths/craftsmen.” This term is found in lines 11 and 14 of Wið færstice, where it refers to elves as fashioners of supernatural weapons to use against mortals (i.e., elf-shot).

Terms Describing Female Elves (or Something)

Wið færstice also mentions a class of supernatural female that is closely associated with elves. It isn’t entirely clear that these females are elves, however. They might be human witches. Or, they might be something like waelcyrigan (“valkyries”), which Hall argues are female counterparts of elves. Hall comments that, for the given time period, the boundary between a supernatural woman and a woman who has supernatural powers is quite blurry, so it’s probably not worth splitting hairs (see p. 174). At any rate, these females are called by two different names:

  • mihtigan wif, “mighty/powerful women.”
  • haegtessan, “hedge-riders” or “hedge-faeries.”

Haegtessan (singular, haegtesse) needs a little bit of explanation. The first element, haeg, is probably a variation of haga, meaning “hedge” or “enclosure.” Other Germanic languages have the expression “hedge-rider” for this sort of being. In Old English, the second element, tesse, might be related to Norwegian tysja in the sense of “faery.”

Conclusions

That, then is my raw data. What, though, am I to make of it? 

  • I’m thinking English-derived elves  may not be quite as touchy about the word “elf” as faeries are by the word “faery.” (Their Icelandic cousins may well think differently, however!)
  • At the same time, if the elves of c. AD 800 were still around today, would they appreciate the way the word “elf” has changed in meaning? How fiercely would they resist being lumped in with Christmastide toy-makers or mischievous, diminutive house-faeries?
  • Assuming there is a need for an alternative term, there are some decent options out there. I’m personally partial to either ellengaést or nihtgenga. Furthermore, there are some possibilities from mixing and matching among them: haegstapan (“hedge-stalkers”), ellenfolc (“powerful/bold people”), etc., while not truly authentic, might at least be plausible.

That’s probably more than anybody wanted to read, but I suppose I’m just a stickler for getting the names right.

Sunday Inspiration: Duty

Those who have the privilege to know have the duty to act.
—Albert Einstein

The 2014 Bulwer-Lytton Fiction Contest Winners Have Been Announced

Always a highlight of my year!

Elizabeth Dorfman of Bainbridge Island, WA, is the 32nd grand prize winner of the Bulwer-Lytton Fiction Contest that that began at San Jose State University in 1982. The contest challenges entrants to compose bad opening sentences to imaginary novels and takes its name from the Victorian novelist George Edward Bulwer-Lytton, who began his Paul Clifford (1830) with “It was a dark and stormy night.“ Although Lytton did not originate the line, he exploited its familiarity to begin his novel, as have several other writers who followed him.

In the Fantasy category, we find these literary gems:

Winner:

As he strolled among the Kenthellians, through the wide parndamets along the River Elinionen, thrimbening his tometoria and his Almagister’s scrollix, he thought to himself, “Wow, it is sure convenient there’s a glossary for made-up fantasy words on page 1048.” —Stephen Young

Runner-Up:

After years of Dame Gothel’s tyrrany, Rapunzel was only seconds from freedom, until, with an agonized scream, the prince plunged to his death in the thorns below, grasping a handful of detached blond strands—the golden stair having been irreparably weakened by the deficiency of Vitamins B3, B6, and B7 in his love’s new celiac-friendly diet. —Kevin Hogg, Cranbrook, BC, Canada

Dishonorable Mention:

The Swan Queen spread her wings with all the quick grace of a businessman hailing a taxi in NYC and leaped high into the air like said businessman swearing and jumping back from the curb as the taxi he was hailing speeds past and splatters him with sludgy city puddle water, but in a more graceful way than the second bit. —Thor F. Carden, Madison, TN

 

The Fair Folk at War

Trooping Faeries

"They ran him by hill and plain"

Trooping or social faeries are so named because they have a social organization that mirrors that of human beings with courts, feasts, banquets, royalty—and warfare. (See Ronald Hutton’s Typology of Faeries.) Although solitary faeries can be violent, they aren’t organized enough to engage in true warfare. Domestic faeries (brownies, urisks, and the like) are generally too kindly disposed for belligerent pursuits—although they can be individually malicious to those who don’t treat them with proper honor.

In Celtic lands, the principal social faeries are the daoine sídhe, an overtly aggressive and warlike race. Virtually every aspect of sídhe society has an adversarial element. As many unfortunates learned too late, every interaction with these proud people can become a challenge of honor demanding a swift and merciless response. Even their romantic relationships are often played out in terms of pursuit, conquest, and domination. It should not, then, be surprising that these Fair Folk can be given to organized violence.

On the one hand, tales abound of assaults upon human victims in reprisal for various affronts to honor or faery custom. On the other hand, these fae are often depicted fighting among themselves.

Warfare in the Mortal Realm

In Remains of Nithsdale and Galloway Song (Alexander Gardner, 1810), R. H. Cromek reports that priests warned against having dealings with faeries as they were the “light infantry of Satan” (236). The violent tendencies of faery warriors are enumerated: armed with bows and poisoned arrows, mounted on steeds whose hooves do not leave tracks. He goes on to write,

They visited the flocks, the folds, the fields of coming grain, and the habitations of man;—and woe to the mortal whose frailty threw in their power!—a flight of arrows, tipped with deadly plagues, were poured into his folds, and nauseous weeds grew up in his pastures; his coming harvest was blighted with pernicious breath,—and whatever he had no longer prospered. These fatal shafts were formed of the bog reed, pointed with white field flint, and dipped in the dew of hemlock. They were shot into cattle with such magical dexterity that the smallest aperture could not be discovered, but by those deeply skilled in Fairy warfare, and in the cure of elf-shooting. (237)

This is a fairly commonplace description of the violence faeries might inflict: blighting crops and livestock with elf-shot. Other Gaelic tales warn not only of arrows but also faery darts or javelins inflicting death or disease on unsuspecting mortals.

Other stories indicate the sídhe used their prodigious skills as shapeshifters to achieve tactical advantage: spying out the movements of mortals or gaining proximity to their targets by assuming the form of a deer or some other animal: the perfect camouflage!

The daoine sídhe are also known to take sides in great wars among human beings. W. Y. Evans-Wentz (The Fairy Faith of the Celtic Countries [Froude, 1911]) recounts the role the Tuatha Dé Danann played in the Battle of Clontarf, fought near Dublin on April 23, 1014.

And thus is described the meeting of the two armies at Clontarf, and the demons of the air and the phantoms, and all the hosts of the invisible world who were assembled to scatter confusion and to revel in the bloodshed, and how above them in supremacy rose the Badb:—‘It will be one of the wonders of the day of judgement to relate the description of this tremendous onset. There arose a wild, impetuous, precipitate, mad, inexorable, furious, dark, lacerating, merciless, combative, contentious badb, which was shrieking and fluttering over their heads. And there arose also the satyrs, and sprites, and the maniacs of the valleys, and the witches, and goblins, and owls, and destroying demons of the air and firmament, and the demoniac phantom host; and they were inciting and sustaining valour and battle with them.’ (306)

The “Badb” of which Evans-Wentz writes was the name of a Celtic war-goddess. Originally, however, the word signified “rage, fury, or violence” (Evans-Wentz, 304). In this context, it refers to a kind of glamour or mind-trick, inspiring warriors to lose themselves in battle-lust.

In fact, a number of mind-control tactics are associated with Celtic war-goddesses. The goddesses Neman, Macha, and Morrigan each exercise a particular supernatural power on the battlefield. Neman is a confounder of armies, causing allies to fight amongst themselves. Macha inspires bloodthirsty battle-fury. Morrigan inspires supernatural valor and courage under fire (Evans-Wentz, 302).

Note also that the sídhe have under their command various other types of supernatural beings: satyrs, sprites, “maniacs of the valleys,” witches, goblins, owls, demons, phantoms. They are, after all, “the Gentry,” and what good is being an aristocrat if there are no lower classes to dominate?

A picture is now developing of the Fair Folk at war. This picture includes:

  • Arrows and darts capable of inflicting disease and death.
  • Destruction of crops and livestock as an offensive tactic.
  • Riding faery horses with magical characteristics.
  • Shape-shifting to gain tactical advantage.
  • Bending the minds of mortal combatants.
  • Females actively involved in warfare.
  • Commanding various types of faery beings (as “support troops”?)

War in the Faery Realm

Faery warfare is not limited to the mortal realm, of course. There are also tales of battles between the daoine sídhe and other mythical races.

The daoine sídhe are said to be the descendants of the Tuatha Dé Danann, the “people of the goddess Danu.” These Irish deities gained control of the island by going to war against other faery races, mainly the Fir Bolg and the Fomori.

They also fought among themselves. The sons of Midir, for example, rose up in rebellion against Bodh Derg, the son of the Dagda, and fought them in yearly battles. In another story, certain daoine sídhe went to war over “two lovable maidens who dwelt in the elfmound” (Evans-Wentz, 301).

Going to war over women brings to mind the story of the Trojan War. This is an apt comparison. Like the Homeric-era Greeks, it is easy to imagine the daoine sídhe going to war over issues of honor. It seems that most altercations involving mortals have at their root an honor challenge: proper respect has not been paid to the Fair Folk or their taboos. It may be that delivering or answering honor-challenges is a primary reason the Fair Folk go to war.

Warfare would most often be a small-scale affair by modern standards. By necessity, battles would be short, swift, and violent. The objective would be to get in, strike, and withdraw. Such attacks will not win large wars but are well suited to reduce the effectiveness of an enemy force, demoralize a fixed population, reduce the flow of supplies, capture towns for short periods of time, or demonstrate that certain targets, such as villages and civic centers, are in fact vulnerable.

If the daoine sídhe truly reflect or mirror the mortal culture from which they sprang, then it should be no surprise that warfare among them would largely be a matter of raids or ambushes to capture livestock, slaves, women, or valuables or to exact revenge for previous insults. This was how the ancient and early medieval Gaels waged war, after all.

Sunday Inspiration: Gratitude

Feeling gratitude and not expressing it is like wrapping a present and not giving it.
—William Arthur Ward

Critical Thinking Ain’t What It Used to Be

…and what it used to be is better than what often goes by that name today, according to Dennis Hayes. In fact, his latest column at The Conversation is titled “Let’s Stop Trying to Teach Students Critical Thinking.”

As a teacher, you have to have a critical spirit. This does not mean moaning endlessly about education policies you dislike or telling students what they should think. It means first and foremost that you are capable of engaging in deep conversation. This means debate and discussion based on considerable knowledge – something that is almost entirely absent in the educational world. It also has to take place in public, with parents and others who are not teachers, not just in the classroom or staffroom.

The need for teachers to engage in this kind of deep conversation has been forgotten, because they think that being critical is a skill.

It isn’t, Hayes says. It is a trait of character or even, perhaps, a way of life. He goes on to argue that the word “criticism” is often misapplied.

The idea that critical thinking is a skill is the first of three popular, but false views that all do disservice to the idea of being critical. They also allow many teachers to believe they are critical thinkers when they are the opposite:

  1. “Critical thinking” is a skill. No it is not. At best this view reduces criticism to second-rate or elementary instruction in informal and some formal logic. It is usually second-rate logic and poor philosophy offered in bite-sized nuggets. Seen as a skill, critical thinking can also mean subjection to the conformism of an ideological yoke. If a feminist or Marxist teacher demands a certain perspective be adopted this may seem like it is “criticism” or acquiring a “critical perspective”, but it is actually a training in feminism or Marxism which could be done through tick box techniques. It almost acquires the character of a mental drill.
  2. “Critical thinking” means indoctrination. When teachers talk about the need to be “critical” they often mean instead that students must “conform”. It is often actually teaching students to be “critical” of their unacceptable ideas and adopt the right ones. Having to support multiculturalism and diversity are the most common of the “correct ideas” that everyone has to adopt. Professional programmes in education, nursing, social work and others often promote this sort of “criticism”. It used to be called “indoctrination”.
  3. “Critical theories” are “uncritical theories”. When some theory has the prefix “critical” it requires the uncritical acceptance of a certain political perspective. Critical theory, critical race theory, critical race philosophy, critical realism, critical reflective practice all explicitly have political aims.

What, then, is criticism?

Criticism, according to Victorian cultural critic Matthew Arnold, is a disinterested endeavour to learn and propagate the best that is known and thought in the world. We should all be as “bound” by that definition as he was. We need only to teach the best that is known and thought and “criticism” will take care of itself. That is a lesson from 100 years ago that every teacher should learn.

Critical thinking seen as Arnold defined it is more like a character trait – like having “a critical spirit”, or a willingness to engage in the “give and take of critical discussion”. Criticism is always about the world and not about you.

Do read it all.

 

Highway to Hel

Dan McCoy provides all the ins and outs of the Norse afterlife in this interesting article. I was interested to read what he thinks are connections between myths of journeys to the underworld and shamanic journeys described by other northern peoples.

What the sources do describe in uncharacteristic detail, however, is the course that one had to travel in order to reach Hel. Given how precisely they correspond to the narratives of traditional shamanic journeys of other circumpolar peoples,[2] they seem to recount, and possibly provide templates for, the journeys of Norse shamans. Throughout Old Norse literature, we find instances of such journeys to the underworld undertaken by gods or humans in order to recover a dead spirit or obtain knowledge from the dead.

Hel was located underground – down and to the north, the realm of cold and general lifelessness. It was reached by descending from a higher point with the help of a guide – an unnamed (dead) woman in Hadding’s case, and Sleipnir in the Prose Edda and the poem Baldrs Draumar (Baldr’s Dreams) in the Poetic Edda. After traveling through darkness and mist, one would come to a river, perhaps a torrential river of water, but more commonly a river of clanging weapons.[10] There was a bridge over the river that one had to cross. After a time, one would finally arrive at the wall surrounding Hel, but, for reasons we don’t entirely understand, it wasn’t thought wise to attempt to enter through the gate. More surreptitious ways were preferred. At that point, one would be, in spirit, in the world of the dead in their graves, and one had to take extreme precaution to ensure that one didn’t become trapped there while accomplishing one’s purpose, which is surely part of the reason why all of the surviving accounts of such journeys from northern Europe involve quests undertaken by gods, heroes, or other specialists rather than ordinary people.

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